12/15/2010
筑豊地区の目標は？
バリシステムです
里山は、昔のシステムです
機械もガイアの一部である
工場も同じ仕組みです
晴耕雨読です、そして、趣味の一部は実益に・・・
ついに、日産と三菱が基幹部品の一貫生産を始める
これは、昔、僕がゴーン社長あてに送った提案です
苅田工場は分社、自立せよ － カルロス・ゴーン
そして、筑豊地区の核、飯塚市は？
福岡市と北九州市の扇のカナメ
学と農を根本にする
農学こそ、能楽です － 宮沢賢治
里山は、昔のシステムです
機械もガイアの一部である
工場も同じ仕組みです
晴耕雨読です、そして、趣味の一部は実益に・・・
ついに、日産と三菱が基幹部品の一貫生産を始める
これは、昔、僕がゴーン社長あてに送った提案です
苅田工場は分社、自立せよ － カルロス・ゴーン
そして、筑豊地区の核、飯塚市は？
福岡市と北九州市の扇のカナメ
学と農を根本にする
農学こそ、能楽です － 宮沢賢治
Sunday, December 5, 2010
GoldModeの百姓は？ － バリシステム
百姓の役割分担
photo by Aoyagi YoSuKe
photo by Aoyagi YoSuKe
Photo by Aoyagi YoSuKe
Image via WikipediaBalinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 13th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art. Ubud and Batuan are known for their paintings, Mas for their woodcarvings, Celuk for gold and silver smiths, and Batubulan for theirstone carvings. Covarrubias describes Balinese art as, "... a highly developed, although informal Baroque folk art that combines the peasant liveliness with the refinement of classicism of Hinduistic Java, but free of the conservative prejudice and with a new vitality fired by the exuberance of the demonic spirit of the tropical primitive." Eiseman correctly pointed out that Balinese art is actually carved, painted, woven, and prepared into objects intended for everyday use rather than as object d 'art.
Hindu-Javanese: Majapahit Kingdom
Recent history
Prior to 1920s, Balinese traditional paintings were restricted to what is now known as the Kamasan or Wayang style. It is a visual narrative of Hindu-Javanese epics: the Ramayana and Mahabharata, as well as a number of indigenous stories, such as the Panji narrative. These two-dimensional drawings are traditionally drawn on cloth or bark paper(Ulantaga paper) with natural dyes. The coloring is limited to available natural dyes: red, ochre, black, etc. In addition, the rendering of the figures and ornamentations must follow strictly prescribed rules, since they are mostly produced for religious articles and temple hangings. These paintings are produced collaboratively, and therefore mostly anonymously.
生産は家族が行う
料理は家族の誰かが行う、方法は家庭内ルールである
ひとりが担当しても、構わない、みなさんで、分担しても、構わない
料理はクリエイティブの原点である － 料理人はクリエイター
そして、晴耕雨読
絵を描いても、構わない、踊りをやっても、構わない、音楽をやってもかまわない
みなさんのひとりひとりが、好きなことをやれば良い
場合によっては、このようなアートは売れる、副業になります
これが、中小規模・専業農家の姿である － バリシステム
バリの民宿です
TUESDAY, OCTOBER 7, 2008
The Inn
photo by Aoyagi YoSuKe
バリの飲食業です
Tj's bar
photo by Aoyagi YoSuKe
バリの祭りです
kechak dance at Wulwaz
バリの夕日と朝日です
The morining of Kuta beach
Photo by Aoyagi YoSuKe
バリの絵です
MONDAY, AUGUST 9, 2010
Balinese Art, From Majapahit Kingdom to Recent History
Image via WikipediaHindu-Javanese: Majapahit Kingdom
Recent history
Prior to 1920s, Balinese traditional paintings were restricted to what is now known as the Kamasan or Wayang style. It is a visual narrative of Hindu-Javanese epics: the Ramayana and Mahabharata, as well as a number of indigenous stories, such as the Panji narrative. These two-dimensional drawings are traditionally drawn on cloth or bark paper(Ulantaga paper) with natural dyes. The coloring is limited to available natural dyes: red, ochre, black, etc. In addition, the rendering of the figures and ornamentations must follow strictly prescribed rules, since they are mostly produced for religious articles and temple hangings. These paintings are produced collaboratively, and therefore mostly anonymously.
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