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9/05/2011

九州リンゴ村

  


 九州リンゴ村、豊作だ・・・ リンゴは寒い地方はウソ 


バリ島でも、リンゴはある・・・


里山システムで、使うエネルギーは何か?

里山システムで、使う農機具は何か?

里山システムでは、コンピュータは必携である - バリシステム




http://www.u.arizona.edu/~jlansing/J._Stephen_Lansing/Welcome.html



Curriculum Vitae
J. STEPHEN LANSING
Professor of Anthropology;  Adjunct Professor, Ecology and Evolutionary Biology
221 Haury Bldg., University of Arizona, Tucson AZ 85721-003
Telephone 520 621-6310 Email jlansing@email.arizona.edu
Fax 520 621-2088
Website  http://www.ic.arizona.edu/~lansing/home.htm
Professor, Santa Fe Institute
1399 Hyde Park Rd., Santa Fe, N. M. 87501
Telephone 505  984-8800 Email lansing@santafe.edu
Fax 505  982-0565 Website  http://www.santafe.edu/
Senior Research Fellow, Stockholm Resilience Centre
Stockholm University
www.stockholmresilience.su.se
______________________________________________________________________
EDUCATION
Ph.D. Anthropology University of Michigan 1977
Doctoral fellow The Institute for Advanced Study, Princeton, N.J. 1976
M.A. Anthropology University of Michigan 1974
B.A. with highest honors   Wesleyan University, Middletown CT 1972
PROFESSIONAL EXPERIENCE
Santa Fe Institute
2009- External Professor
2002-2007 Professor
1999-2002   External Professor
University of Arizona
2002- Professor, Ecology & Evolutionary Biology
1998- Professor, Anthropology
Stockholm University
2008-   Senior Research Fellow, Stockholm Resilience Centre
University of Michigan
      1995-8 Professor, School of Natural Resources and Environment
1995-8  Professor, Anthropology
 University of Southern California
1990-6  Professor, Anthropology
           1987-92  Chair, Department of Anthropology
1983    Associate Professor, Anthropology
1977    Assistant Professor, Anthropology


FELLOWSHIPS and AWARDS
2007    Julian Steward Book Prize for Perfect Order
2007 Winifred Jean Stubbs Fellow, Institute for Advanced Study, Durham
University
2000 Fellow, Center for Advanced Study in the Behavioral Sciences, Stanford
1997 University of Michigan Excellence in Research award
1995 J.I. Staley Book Prize ($7500) of the School of American Research
1992  Phi Kappa Phi Book Prize
1986     Fulbright Senior Regional Research Fellow
1979    National Endowment for the Humanities
1976    Doctoral fellow, The Institute for Advanced Study, Princeton, N.J.
1974 Social Science Research Council Doctoral Fellowship
 1974    Fulbright dissertation fellowship
PROFESSIONAL SOCIETIES AND EDITORIAL BOARDS
Editorial Board, Journal of Political Ecology
Editorial Board,  Ecology and Society
American Anthropology Association
Koninklijk Instituut voor Taal-, Land- en Volkenkunde
Science Steering Committee and Robustness Advisory Board, Santa Fe Institute
Society for Political Ecology
RESEARCH INTERESTS
             Sociocultural  theory,  ecological anthropology, complexity, population genetics,
poverty and development, Indonesian ethnography, Austronesian ethnography
and prehistory, ethnographic film
RESEARCH GRANTS (PRINCIPAL INVESTIGATOR)
2007      National Science Foundation $1,247,928
               “Anthropological models of social structure, genes and language
2007      National Science Foundation $75,000
               “Indonesian Origins: Genes, Languages and Cultures” video programs
2004      National Science Foundation $675,000
                “The Austronesian Expansion: Reading Social Structure from the Genome”
2002      National Science Foundation $32,789
             “Conference on Robustness in Coupled Natural and Human Systems”
2000 National Science Foundation  #BCS-0083524     $1,000,000
“Biocomplexity: Emergence of cooperation from human-environmental
interactions”
1997      University of Michigan  $68,385
“Genesis: Agent-based modeling of behavioral ecology”
1996       United Nations Food and Agriculture Organization    
        “Computer Assisted Advisory and Planning (COMEXAP) Programme in 
Indonesia”
1995  National Science Foundation  #SBR 962990     $188,671


http://www.der.org/films/three-worlds-of-bali.html



The Three Worlds of Bali

click here to preview this film

From the Odyssey series
by Ira R. Abrams
color, 59 min, 1979

  

  

institutional price includes public performance rights
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On the Indonesian island of Bali, the arts permeate almost every aspect of daily life. Gamelan music, wayang (shadow puppet) theater, dance, and elaborately constructed offerings of foods and flowers all represent attempts to please the gods and placate demons. In Balinese cosmology, demons are thought to dwell in the watery underworld, gods in the upper world, and human beings in the middle realm between the two. Much of human effort is directed toward maintaining the proper balance between these worlds, and between the forces of growth and decay.
The pinnacle of such efforts is the ritual Eka Dasa Rudra, held once every hundred years. The entire population of the island is mobilized for this event, preparing offerings and streaming from thousands of village temples in processions to the sea. Eleven demons, of which Rudra is the most powerful, must be transformed into beneficient spirits. No one who participated in the ritual filmed in 1979 had ever witnessed its performance, which last occurred a century ago, and so the ritual was based on writings in ancient lontar-palm manuscripts.
There is also a political dimention to Eka Dasa Rudra. In 1963, upon the urging of then President Sukarno, Balinese priests prepared to hold the ritual before the calendrically proper year. Preparations were met with the first eruption in recorded history of Bali's great volcano, Gunung Agung. This terrible disaster was seen as a confirmation of the gods' and demons' powers and the necessity of honoring the traditional calendar. In the spring of 1979, when Eka Dasa Rudra was finally held, President Suharto arrived, but not by his helicopter, which, it was feared, might have impeded the demons' descent.

About Odyssey series
In an attempt to cut the often esoteric ice of anthropology, PBS released in 1980 the first season of Odyssey, a newly-created series of anthropological documentaries, with a second season in 1981. The entire series was produced by Public Broadcasting Associates of Boston, with major funding by the National Endowment for the Humanities. Additional funding was provided by the Corporation for Public Broadcasting and Polaroid. Michael Ambrosino is the Executive Producer of the series.


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